Unsubstantiated Opinions

On A Current Through the Flesh:

“Truly phenomenal. It has a density and bristling intensity to it, and is full of artistic panache, while also moving and mind-expanding.”

—Allan Briesmaster, author of Windfor

 

On Butterfly Tongue:

“If you put rap, slam poetry, Tom Waits, Bukowski, Huston’s Fat City, and Shakespeare in a blender and added a little standup, you might get close.”

—John Brownlow, screenwriter of Sylvia and The Miniaturist

 

On How to Be Human:

“Richard-Yves Sitoski has lifted a regular moment into something both glittering and poignant that for a moment made me forget about routine, expectation, order.”

—Elee Kraljii Gardner, Poet Laureate of Vancouver and author of Trauma Head

 

On Wait, What?:

“Poem after poem surprised and floored me, holding a beautiful knife to my throat.”

—John Tyndall, author of Mangoes from the Seventh Dimension

 

“Richard-Yves Sitoski offers the reader an open hand through his poetry's unmapped turns and deep surrealism. He lets us know he's here for the joke, the truth, and the message. No words are wasted getting to the themes of absurdity and futility. These poems have the reader thrown into a Dali-esque landscape anchored by meaning and self-effacing humour. These poems are little logic whiplashes. With just a few words, Sitoski will leave you in another dimension wondering how you got there so quickly, and deeply.”

—Charlie Petch, author of Why I Was Late 

 

“Throughout Wait, What? the poet is utterly present, witnessing with exquisite, unflinching acuity his life from conception on. Wait, What? articulates keen perceptions on every page with finely honed lines that are an intense delight. These poems give the reader pause (and sometimes a jolt!) to ponder what it is to be human.”

—Penn Kemp, author of Ordinary / Moving

 

“He says more in … two lines than many people might manage in a thousand…. I read this book twice with great delight.”

—John B. Lee, author of This Is How We See the World

 

“These are clear-voiced and well-crafted poems, and the poet is adept at turning phrases with quick wit and intelligence, and with compassion for self and others, too.”

—Kim Fahner in periodicities